Fears of the Famous--What Haunts the Horror Gods

Oh, how I love to get into a horror book--REALLY into it...so much so that I'll sit a bit more still than I normally would, because if I move whatever is waiting around for a victim will know I'm there...

...and I have to wait a bit to go to the rest room because God knows what is waiting for me behind the shower curtain...

...and I definitely will NOT look out the window because there will be a man standing about halfway up my walkway just waiting for me to peek out--and he'll be smiling--and as soon as I notice him he will finish his walk to my front door...

Yeeesshh.

I can scare myself more than almost any horror writer can. But I worship the few that can get under my skin.

I know it does not seem so from what I just wrote, but I am actually pretty hard to scare. I recently saw the movie Insidious in my sister's basement that was recently converted into a very cool movie viewing room, complete with old fashioned popcorn maker, comfy sofas, and a 75 inch drop down screen and projector. Next to me on the couch was my sister's stepson, all six foot three, 200 pounds of him, recently recruited to play college football on full scholarship. The lights were down and he remarked he was not very fond of the dark corner behind him, and I felt him move an almost imperceptible fraction of an inch closer to me.

He was not very good about tension in the film either. If he thought something was going to happen he would say, Ohhh, here we go....this is gonna be baaaaddd.... while curling into a bit of a ball and not quite fully looking at the screen. There was no mistaking our narrowing proximity on the couch, and when the music crescendoed and the monster appeared and we were startled, he screamed like Kim Kardashian at a shoe sale.

Exact moment of the woman scream.

Happily he is a good sport and laughed even though he was teased for the rest of the night. Apparently horror is not for him. Some are more easily scared than others.

So this got me thinking...do horror writers get scared of what they write?

Was Stephen King as scared writing about as I was scared reading about the dead boy with glowing eyes scratching patiently at the window, floating and asking let me iiinnn during Salem's Lot? What about the "other Mother" that Neil Gaiman wrote about in Coraline, with her sewn-on black button eyes. Did it creep him out for a while?

Stephen King admitted to being afraid of "Spider, snakes...and my mother-in-law," when he recently spoke at the University of Massachusetts, and Neil Gaiman doesn't seem to admit to being afraid of anything, except possibly repeating the sins of his parents on his own kids. (Have no fear, I am referring to an incident where he hoists his screaming son over his shoulder to bring him to sleep after refusing.) And he might also be afraid of falling...

Tim Burton of Edward Scissorhands fame admits to having a fear of chimps--interesting, since he directed a remake of Planet of the Apes. He said, 

“You don’t know whether chimps are going to kill you or kiss you. They’re very open on some levels and much more evil in a certain way.” I also remember him saying it is not the horror movies that scare him, but real life. I can relate.

Anne Rice, who brought vamps into vogue with Interview with a Vampire, admits to fearing the dark:   "I'm kind of scared of the dark. .... I've never seen a ghost. I've never seen an angel. I've never seen a vision of any kind. And I think I'm a little bit scared that I might."


Joe Hill, author of the shivery ghost story Heart Shaped Box says he is afraid of technology:

“AutoCorrect. AutoCorrect is the first phase in the war between the machines and mankind. I assume at some point in the near future, the President will send a text to Hu Jintao reading ‘Looking forward to our talks in Beijing soon’ and his iPhone will change the message to read ‘Looking forward to our tanks in Beijing soon.’ This will be followed by 30 minutes of frantic text messages, all over the planet, reading ‘omfg the world is ending amf!! @ least I dont have 2 go 2 work 2day lol!!’ Millions will die, but will still be unable to get out of their cellular-phone contracts. This is the stuff that keeps me up at 3 a.m.” (From Time Entertainment)

Elvira, Mistress of the Dark, claims to fear nothing, just like Goosebumps writer R.L. Stine.

Lucky.

I imagine:

- Edgar Allan Poe was afraid of being alone, and of course being buried alive.

- Bram Stoker had a desperate fear of intimacy.

- H.P. Lovecraft was forced to eat squid as a child.

- George A. Romero spent far too much time with his older relatives.

- and Tom Cruise may be afraid of being weak or ordinary. (I know he has nothing to do with horror but he kind of scares me...)

And just so you know--I am scared of only a few things, but I won't tell you what they are because I don't want to pay for it for the rest of my life...okay--I'll tell you one.  I am a germaphobe...not for myself...for my kid. Oh, and I'm a little scared of flying...and dark, open water...

Now I would love to know what scares YOU.

Unusual Art from the Usual Artists--the Dark Side of van Gogh, Cezanne and DaVinci

Cezanne riveted us with his bright still-life paintings of fruit and lush fabrics and their slightly altered perspective.

Starry, swirling skies, multi-colored blooms and luminous cafes made van Gogh a favorite,

and DaVinci always fascinated us with his machines, forward thinking, perfect dimensions.

 Degas gave us a back-stage look at enigmatic ballerinas,

and Picasso used shapes and shadows to change the art world.

We are used to seeing certain things from certain artists.

We expect to see skinny walking skeletons dressed like Santa from Tim Burton, or dark and morose,  unfortunate children sketched in ink by Edward Gorey, but we do not assume the classic artists to have a dark side. We expect soft, blurry flowers and gardens  from Monet, or achingly perfect depictions of people sitting near a window by Vermeer.

Although we know van Gogh had a dark side by the famous and terrible story of his ear, we do not see his angst in his glorious pictures, unless we look for it. The Philadelphia Museum of Art had a display of many impressionists. I was very ready to feel bright and cheerful and to soak in the glow from the flowers and sunshine shown in the paintings.  I was not ready to see some of the more dark works of some of these same artists.

As I turned a corner I came across and small but stunning painting of skulls by Cezanne. The feel of his work was there, but the subjects opened a new corner in my brain. I was not used to this. This was new, and I was practically shaking.

The slightly upturned table so familiar to Cezanne's works was not covered in a rich fabric and lovely fruits and a bowl. In this painting it had death upon it.

Van Gogh has the ability to make you want to be part of his paintings. His cafe glows, his fields sway, and his flowers remind us of nature's beauty. And his bat shows us of the dark side we so rarely see in his art.

The picture of a skeleton with a cigarette also by van Gogh made a recent appearance as the cover of the David Sedaris's book, When You Are Engulfed in Flames, and also shows a bit of humor.

And two rats also by van Gogh--another surprise.

And here is a deliciously bleak Picasso.

A skull by Degas.

DaVinci was the slight exception. His medical drawings, machines, and inventions could lend themselves to the slightly macabre. Here is an example.

So yes, we have Tim Burton, Edward Gorey and Charles Addams--but we also have the web. We can find the dark and mysterious paintings and pictures from impressionists, post-impressionists, modernists and any famous artists that only the curators and collectors previously had access to.

And I am thrilled.

Tim Burton, Edgar Allen Poe, Edward Gorey and MoMA

Tim Burton is known for his movies; Edward Scissorhands, The Nightmare Before Christmas, Alice in Wonderland (the ninth highest grossing film ever made) and Sweeney Todd.  And rightfully so. They are gorgeously dark, child-like yet demented, and touched with a poignancy usually not felt in horror and fantasy.

Three years ago I was introduced to his art and writing at an exhibition at MoMA in NYC. Tim Burton is a prolific artist, and I walked through rooms of sketches of mysterious stairways, paintings of aliens, sculptures of circus creatures, glow-in-the-dark puppets, costumes from his movies, and other ephemera. 

Strolling through the outdoor patio of the museum I noticed two topiaries from Edward Scissorhands. Also on display were those terrible eyes that popped out of Large Marge's face in the memorable scene from Pee Wee's Big Adventure.

The original sketches of his first ideas from Edward Scissorhands were situated near a child's dollhouse where each room contained a grisly murder scene.

Along with the Edward sketches was the costume Johnny Depp wore in the movie, his scissor-handed gloves, and cinema posters featuring not only Edward, but all of Tim Burton's movies.

For admission to the black-lighted carnival area, one entered into the mouth of a toothy monster, and through a long black and white striped hallway dotted with video monitors showing Stain Boy, a character from Burton's book The Melancholy Death of Oyster Boy and Other Stories.

  This book contains stories and poems sometimes reminiscent of the tales of Edward Gorey.  Find his book here:

http://www.amazon.com/dp/0688156819/ref=rdr_ext_tmb

There was a blotter from his desk filled with doodles and early ideas.  

There is a sweet and needy feel to his work, and one wonders if he is sad, manic, brilliant, or mad. Possibly a combination. One of his early films is called Vincent, about a young man who is captivated by Vincent Price, much like Tim Burton. He is also influenced by the works of Poe. The dark and moody images of his work seems to somehow echo Poe's elegant words. I feel if Masque of the Red Death were made into a film directed by Burton we would witness some of the most stunning imagery ever produced.

Read Poe's startling story here:
http://www.poemuseum.org/works-masque.php

Oh, how I wish this display would come back to NYC. But I don't think this will happen anytime soon--Burton has chosen to bring his display to Paris at Cinematheque. 

Lucky Paris.

Dark Shadows, featuring Johnny Depp as vampire Barnabas Collins was released May 11, 2012.

Big Eyes was released last Christmas.

Miss Peregrine's School for Peculiar Children expected to release on Christmas 2016.